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Posted on STEVE HILL CONCERT REVIEW – CLUB SODA

On St. Patrick’s Day , especially in Montreal – it is easy being Green and it’s even easier being Steve Hill.

The Trois Rivieres and Quatre ‘Solo Recordings’ native is normally used to the ‘ it ain’t easy being Green ‘ moniker. Bucking precedent in recent years and pioneering the ‘one man band ‘ genre single handily made him a sort of ‘musical abnolity’. After all – ‘ it ain’t easy‘ being a vocalist, drummer, guitar, bass and harmonica player on stage now is it ?

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Posted on STEVE HILL VINYL RELEASE…

It may have been a bitterly cold, windy day, but Steve Hill quickly cranked up the heat inside the Record Centre Saturday, March 11 for a capacity crowd at the Vinyl Release of his Solo Recordings Vol. 3.

He is fresh off a 30-date European tour opening for Brit classic rock band Wishbone Ash (covering Germany, Austria, Poland, The Netherlands, Switzerland, and France.) Winner of the 2015 Juno Blues Album of the Year, Hill is a well known favourite of the Canadian summer festival circuit, including the Montreal Jazz Festival, Ottawa Blues Festival, Mont Tremblant International Blues Festival, Vancouver International Jazz Festival, Winnipeg JazzFest, Kitchener Blues Festival and lots more. With fans crowding around the intimate stage area, Record Centre owner John Thompson prefaced the in-store appearance by showing off the newly issued vinyl album, which features detailed custom silkscreened artwork on side 4, by Ottawa artist Sarah Pakuts.

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Posted on Blues Blast Magazine – Solo Recordings Volume 3 Review

In his native Canada Steve Hill has established quite a reputation as a one-man band, receiving nominations for Juno awards as well as winning the 2013 IBC award for best independent album for the first of his solo recordings. This is volume 3 in the series and is literally all Steve, no overdubs, no extra personnel. But do not go thinking that this is another solo acoustic album, as Steve plays plenty of heavy guitar, accompanying himself on two pedal drums and assorted percussion, including some hit by a stick taped to the neck of his guitar! At times the sound is almost heavy rock, as on opener “Damned”, or churning blues-rock like “Dangerous” though there are some acoustic tracks, including the fetching love song “Emily” on which Steve plays some delicate guitar or “Slowly Slipping Away” where Steve also plays some harp and provides a very convincing vocal on a song that takes as much from the folk tradition as the blues. However, Steve’s stock-in-trade on this album is the heavier tunes and “Rhythm All Over” is perhaps the pick of those with Steve playing a throbbing bass line as well as the core riff. Steve closes the album with the moody “Walking Grave” which features some torrid slide work and some dark lyrics: “I rise up from the dead, let the seed become a flower”.

Most of the songs are originals, either written by Steve alone or in partnership with J. Parlett. There are three covers which provide an insight into Steve’s influences. A medley of “Still A Fool/Rollin’ Stone” provides a gritty take on two of Muddy’s best known tunes and Steve repeats the trick with “Rollin’ & Tumblin’/Stop Breaking Down”, here credited as ‘Traditional’ though most blues fans would probably see these as Robert Johnson tunes. Steve’s slide work at the start is terrific before he picks up a frantic pace on his kick drums to drive the song along. In complete contrast Steve’s version of “Going Down The Road Feeling Bad” is a lovely acoustic reading of the song that takes the tune back to its country/folk/blues origins, different from the Grateful Dead version that most of us will know – another standout track.

Steve’s ability to produce such a rich sound all alone is impressive and this album offers the variety of both acoustic and full-on electric music so will contain something for all tastes.

View the full review on Blues Blast Magazine »

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Posted on Volume 3 review by Blues Rock Reviews

Steve Hill, known for his impressive one man band live show, brings this concept to the studio once again on his latest release Solo Recordings Volume 3. His modus operandi is to perform all of the instruments at the same time but this isn’t some novelty act. Steve writes, records, and performs very soulful blues based rock, and Americana in a serious way and unless you see him live or watch one of his videos, you would have no idea of his one man band mastery.

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Posted on STEVE HILL: HIS OWN MAN

The Québec six-stringer Steve Hill is at the top of the Canadian Blues scene from sea to shining sea thanks to his seven Maple Blues Awards in two years, as well as the Blues Album of the Year JUNO award in 2015. And that’s just the beginning.

What’s behind all these awards? His four self-produced albums titled Solo Recordings, Vol. 1, Vol. 1 ½ (EP), Vol. 2 and Vol. 3 – the last one released a few weeks ago – bring the total of his recorded output to nine releases in 25 years on the scene by the amazing guitarist who found his own unique groove in his solo work.

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Posted on Bman’s Solo Recordings Vol. 3 Review

I just received the newest release, Solo Recordings Volume 3, by Steve Hill and it’s quite good! Opening with a Damned, modern take on a JL Hooker style boogie, Steve Hill, a soloist (plays everything), really gets things cranking. With basic drums and bass rhythm, Hill is a super singer and knows how to squeeze the juice out of his guitar on this driving blues rocker. Dangerous leans a little more toward the rock arena but with solid blues roots. This is a track with a catchy melody and powerful guitar riffs making it a natural for the radio.

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Posted on Steve Hill continues to beat of own drum with Solo Recordings Vol. 3

In a world filled with blues-rock trios and quartets, Canadian bluesman Steve Hill stands alone – literally – himself providing all the drums, hi-hats, and harmonica needed to accompany his primary instruments of guitar and vocals. We first told you about Hill shortly after he captured four honors in the 2015 Maple Blues Awards, for entertainer, guitarist, electric act, and recording of the year for his Solo Recordings Vol. 2. Now Hill is back with Vol. 3 in that series, and it’s every bit as good as – if not even better than – his last.

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